Transgender History Makers

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By Sharon Haywood

For transgender individuals, not disclosing their transgender status, also known as “living stealth,” has been the norm. Too many transgender folks have lived in fear of ridicule, discrimination, and rejection leading many to live a lie. But today, change is upon us; history is being made. October is LGBT History Month, 31 days that celebrate the successes of 31 lesbian, gay, bisexual, and transgender icons, making now an ideal time to shine a light on transgender trailblazers who have excelled professionally while living openly. Of the icons featured this month, three are transgender: Kye Allums, Victoria Kolakowski, and Amanda Simpson. It’s brave change makers such as these that are propelling North American society toward greater acceptance.

* * *

Kye Allums launched LGBT History Month as “the first openly transgender athlete to play NCAA Division I college basketball.” In November 2010 as a 21-year-old sophomore, Allums made history on the women’s basketball team at George Washington University (GWU) for coming out as a transgender male. Having received a basketball scholarship from GWU and not wanting to jeopardize it, his original plan was to wait to reveal his true gender when his eligibility expired the following season, but Allums explained to USA Today that, “… it just got too tough not to be me. I heard people call me a girl and say ‘she’ and refer to me as something that I wasn’t.”

Apart from his fortitude and courage in staying true to himself, Allum’s story also stands out because of the outpouring of support and acceptance by his teammates, coach, and school officials. GWU’s official statement, which refers to the star shooting guard as Mr. Allum, includes his heartfelt sentiments about the university:

“GW has been supportive during this transition. This means a lot. I didn’t choose to be born in this body and feel the way I do. I decided to transition, that is change my name and pronouns because it bothered me to hide who I am, and I am trying to help myself and others to be who they are… My teammates have embraced me as the big brother of the team. They have been my family, and I love them all.”

Due to several concussions, Allums will not be playing his senior year, a choice GWU respects. At present, he is uncertain whether he will continue his transition by pursuing gender reassignment surgery or by taking male hormones. In the meantime, Allums has been telling his story at various speaking engagements with the goal of spreading the message that “it’s possible to be out and to be comfortable with yourself and still be successful.”

* * *

The second transgender icon featured during LGBT History Month is Victoria Kolakowski, the first openly transgender person to be elected to a U.S. Superior Court. Before graduating with a law degree from Louisiana State University in the late 1980s she underwent gender reassignment surgery from male to female and legally changed her name, which resulted in the Louisiana State Bar Association denying her application to write the bar exam. She challenged the decision and the Louisiana State Court ruled unanimously in her favor allowing her to begin her career as an attorney.

She went on to attract attention for her professional successes as a member on the Oakland Budget Advisory Committee and as an administrative law judge. Subsequently, she received well-deserved accolades including the honor of being named Woman of the Year in 1994 by the East Bay Lesbian/Gay Democratic Club, and then in 1995 she received the Outstanding Woman of Berkeley Award. In 2002, she co-chaired the Transgender Law Center, an organization dedicated to protecting the civil rights of transgender individuals.

Before winning her campaign to preside over the Alameda County Superior Court in California in 2010, Kolakowski explained to Change.org how her role as an out trial judge could help break barriers for the LGBT community:

“I see the possibility of my presence in the court as a sort of ongoing sensitivity training. Just like people become more comfortable with us as gay and lesbian people when more of us come out (I am a lesbian as well), having an out, visible transgender judge will demonstrate to the judges, attorneys, staff and police who interact with the courts every day that we can be capable professionals, like everyone else.”

 * * *

The final transgender icon featured during LGBT History Month is Amanda Simpson, the first openly transgender female presidential appointee. (In 2008, Diego Sanchez was the first transgender male presidential appointee.) Before President Obama appointed her to Special Assistant to the Assistant Secretary of the Army for Acquisition, Logistics and Technology in the U.S. Defense Department, her resume was beyond impressive.

She boasts degrees in physics, business administration, and engineering (she’s essentially a rocket scientist) as well as being a certified flight instructor and airline transport pilot. For almost three decades, she worked at Raytheon Missile Systems in roles that ranged from manager of flight operations to Deputy Director of Advanced Technology Development. While still employed there in 2000, she transitioned from male to female. Then in 2005, Simpson was instrumental in having gender identity and expression incorporated into the company’s non-discrimination policies.

Additionally, Simpson has supported the LGBT community by sitting on the boards of organizations like the Tucson Corporate LGBT Coalition, Out and Equal Workplace Advocates, and the National Center for Transgender Equality. When asked what her experience has been as the first transgender female presidential appointee she didn’t mince words:

“Being the first sucks. I’d rather not be the first but someone has to be first, or among the first. I think I’m experienced and very well qualified to deal with anything that might show up because I’ve broken barriers at lots of other places.” And she certainly doesn’t shy away from the possibility of breaking a few more:

“As one of the first transgender presidential appointees to the federal government, I hope that I will soon be one of hundreds, and that this appointment opens future opportunities for many others.”

With increased mainstream media exposure of transgender role models, such as herself and leaders like Allum and Kolakowski, there is little doubt that opportunities will be plenty.

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Lady Gaga’s “Born This Way”: Racist or Revolutionary?

Born-this-way-lady-gaga-cover

I’m always on the hunt for pop and hip-hop songs that celebrate our different cultures, genders, abilities and races. That’s why one of my all time favorite songs is Earth, Wind and Fire’s “Shining Star”. How could you not smile with lyrics like these?:

You’re a shining star, no matter who you are
Shining bright to see what you can truly be

So, while I missed Lady Gaga’s Grammy performance of “Born This Way”, I did get chills the first time I heard the song. I was moved by her call for the empowerment of underrepresented groups. “Am I hearing this song right?” I thought. Could the current It Girl be boldly singing the praises of self-acceptance? Is she calling for all of us, in our varied races, shapes, abilities and gender identities, to love our selves?  It seemed so.  Any other artist making this statement might not profit from such a bold stance. But hey Ms. Gaga has built her reputation and bank account on being different.

It was announced last week that “Born This Way”, the first single off of Lady Gaga’s upcoming album of the same name, is the fastest selling single ever on the iTunes Store worldwide. In five days iTunes sold over one million tracks. It has also hit #1 in 23 countries around the world, breaking an iTunes record. Clearly people like “Born This Way”. The songs words sets a standard for music lyrics that promote acceptance, instead of degradation. And for that I could, well, pee in my pants.

Right after I heard the song for the first time, I looked up the lyrics. “Saweet!” I said as I read, “Don’t hide yourself in regret, just love yourself and you’re set, I’m on the right track baby, I was born this way”.  For once mainstream America and countless around the globe were going to actually consume uplifting lyrics aimed to normalize our natural human differences.

*record needle scratch*

It was then that I read the following:

Don’t be a drag, just be a queen
Whether you’re broke or evergreen
You’re black, white, beige, Chola descent
You’re Lebanese, you’re Orient
Whether life’s disabilities
Left you outcast, bullied or teased
Rejoice and love yourself today
‘Cause baby you were born this way

And that’s when my hackles went up. Was Gaga trying to find something to rhyme with descent and came up empty handed except for orient. First of all “orient” is used to describe objects and last I checked people aren’t inanimate. Secondly, what’s up with using the label “Chola”? Chola is the feminine version of Cholo with a not so pretty past.

According to Wikipedia:

Xolotl (pronounced “cholotl”) is Nahuatl (Aztec) word for dog. “Cholo” is derived from this word. And developed its negative connotation, taking on a similar meaning to “mutt” as applied to humans.

Which makes sense because it’s used today as a racial slur across Latin America meaning someone who is a gangster, thug, is “classless” or of the lowest class,  uneducated, has brown skin or is mixed with Indigenous or Black blood.

Arturo R. García writes in Racialicious

[Chola] derived from Cholo, originated in the 16th century as a slur, similar to “mutt,” in both Perú and Mexico. But in the U.S., some would argue that they’re tied in with the Chicano identity and culture, following the lineage of the Chicano Movement of the 1960s.

Like the N-word many Latinos and Chicanos have taken ownership of the word Cholo, transforming it’s oppressive meaning into an empowering and positive one.

While the examples she uses in the stanza are questionable at best – “Orient”? Really? And is “beige” supposed to stand in for mixed-race people? – the use of Chola, besides serving as an awkward short-hand for Latinas, might be an attempt to play on the image of the Chola as a street-smart, empowered woman.

Well this attempt falls flat on its face. And I bet that Gaga will plead ignorance to the commonly held definitions of the word that are based on stereotypes of class, race and culture promulgated by colonization and oppression. But ignorance is not bliss. At least in the heart of many Latinos like Chicanos Unidos Arizona and MecHa who call the song racist. And they’re not the only one’s displeased with Lady Gaga. Some gay groups have accused Lady Gaga of exploiting the gay community and portraying them in a less than positive light.

Clearly from her popularity and recent iTunes record smashing numbers Gaga isn’t going anywhere. But do we look the other way because it’s clear the song has good intentions despite some major lyrical missteps? Not me. In addition to playing Earth, Wind and Fire’s “Shining Star” throughout my childhood my mom taught me an important lesson: “The road to hell is paved with good intentions.” I don’t know about the rest of you, but as a bi-racial Mexican American I’m not comfortable buying what she’s selling.

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Filmmaker Amanda Micheli Defies Categorization

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By Sharon Haywood

Amanda Micheli

Amanda Micheli

What do a cowgirl, Wonder Woman’s stunt double, and a beauty queen crowned inside a Colombian prison have in common? Filmmaker Amanda Micheli. Since 1996, she has cast women such as these as the unlikely protagonists in her acclaimed documentaries, such as Just for the Ride, Double Dare, and La Corona. Micheli, an award-winning director, producer, and cinematographer isn’t interested in fitting into a particular niche or appealing to a specific audience, but rather the Harvard graduate gravitates to creating films that fall “outside of the box.” According to Micheli, women filmmakers are “pigeon holed.” She elaborates by saying, “We have weepies, movies that make you cry, the touch-feely women’s films. I have nothing against those films but they aren’t the kind of films I make.” No, instead Micheli creates the type of films that we celebrate at Adios Barbie, films that present women in roles you rarely see in mainstream media: Women “who identify themselves through a certain kind of physical presence and courage that goes beyond sexual identity.”

Her latest project is no exception. Micheli branches away from documentaries to explore the world of fiction. She is working on her first screenplay (tentatively titled Tomboy), a coming-of-age story featuring 16-year-old Ruby and her experience as a young rugby player. Micheli is vested in giving the female athlete more screen time, which makes sense considering that the filmmaker also played for the U.S. women’s rugby team. Her screenplay, although not autobiographical, taps into her experiences as a player for the national team and as a coach for Berkley High’s all-girls rugby team. Inspiration for her screenplay in part comes from watching the teen girls grow from playing rugby: “Some never played sports before, had low self-esteem, and didn’t feel a sense of power in the world,” she explains. “Playing rugby opened their eyes to the power in their bodies. You’ve got girls of all shapes and sizes who never thought they could [feel] that joy of taking someone down. It is not a typically female experience. It’s not about violence. There’s a very positive outlet for aggression in contact sports that men have enjoyed for centuries.”

She describes Ruby as “a real life female action figure” who Micheli has cast as a shorter girl. “In the rugby world there’s a specific position that’s meant for smaller people,” she explains. “It’s incredibly rare to have that kind of diversity. In a lot of sports you tend more toward uniform body shapes. In rugby … gaining weight, body fat is okay.” Tomboy not only looks at body-image issues but it will also potentially tackle themes of identity, such as homophobia, and racism as it relates to the Samoan community in San Francisco. Although her first draft is complete, the filmmaker admits, “I’m struggling as a writer to create her true image. I want Ruby to figure out who she is.” One thing Micheli knows for sure is that Ruby “does not fit a cookie-cutter image.” The same can be said of Micheli’s eclectic documentaries.

Jeannie Epper and Lynda Carter

Jeannie Epper and Lynda Carter

Her first production, Just for the Ride (1996) received a Student Academy Award and features two fearless female rodeo champions, 76-year-old Fern Sawyer and 51-year-old Jan Youren. Micheli’s exploration of women in professional rodeo questions traditional perceptions of women and has been touted as a film that rails against sexism and ageism. Her second film, Double Dare (2004) stars two stuntwomen: Jeannie Epper and Zoë Bell. Epper donned the real muscles behind the 1970s Wonder Woman, and Bell shouldered the heavy lifting for Lucy Lawless as Xena the Warrior Princess and Uma Thurman in Tarantino’s Kill Bill. The documentary has earned praise as a film that smashes gender stereotypes but what Micheli loves about this film is that it reveals the “real people behind the iconic images.” Her next documentary, the Academy Award nominated La Corona (2008) co-directed with Isabel Vega, chronicles the experience of four inmates in a beauty pageant set inside Bogotá Women’s Prison. The character-driven film challenged her own beliefs about beauty pageants: “I thought it would be easier to criticize or deconstruct these women’s involvement in the beauty pageant but when I got in the prison I recognized that were so passionate about it … and it was hard to take an ideological stance.”

Fans of Micheli’s work have tried to categorize her both personally and professionally, but she resists classification. Both Just for the Ride and Double Dare have received an overwhelming positive response from the LGBT community, which has led folks to label her as a gay filmmaker. For the record, Micheli who is in a long-term relationship with a man states:

“I certainly don’t identify as a straight woman, but I don’t identify one way or another. I take the more intellectual point of view that sexual identity is sort of limiting … I think that gender identity is much broader than sexual identity.”

In terms of the women in her films she says: “I haven’t set out to make films about women of any certain sexual identity. Just for the Ride is about two female cowgirls who identify as straight but they’re kind of butch. That’s one thing I love about these women is that they defy categorization.” And that’s exactly what we love about Micheli and her work.

Read more about Micheli and her various other projects at her website www.runawayfilms.com

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Body Image and Transgender Folks

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lookingatboobs

Photo courtesy of www.racked.com

By Valerie Kusler

The shopping and style blog, Racked, just introduced its newest guest blogger, Doll, who also happens to be its first transgender blogger. In Doll’s first post, she talks about her transition to becoming a woman, and can you guess what her biggest concern is? Body shape.

I think it’s telling of the values of our larger society amidst all the complex emotional and mental changes one must face during a transition, body image remains a top (if not the top) concern. In my opinion, this also says that Doll already has developed a lot of self-confidence in the other aspects of her transition, so bravo! I look forward to reading about the progress in her upcoming posts.

Read Doll’s first post at Racked

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Gays on TV: Despite Growth, Real Portrayals More Urgent Than Ever

Willow and Tara from Buffy the Vampire Slayer
Willow and Tara from Buffy the Vampire Slayer

Willow and Tara from Buffy the Vampire Slayer

by Pia Guerrero, Co-founder/editor

Remember on Buffy the Vampire Slayer when Willow entered into a gay relationship with Tara, played by Amber Benson? It was a first for television that made me so proud to be a GenXer. At that time circa 1998, Adios Barbie was new on the scene but we knew we wanted to say something about this portrayal. We gathered up our allies at Bitch, Fat! So?, About Face, among others, and sent a letter to Joss Whedon. Since he’d probably be getting many letters of protest, we decided to send a loud and proud THANK YOU! Thank you for being brave and thank you for being an example of what TV can portray – women in all their power and of all sexual orientations.

For her breakout role in Buffy, Amber Benson recently said,

I felt like we were presenting this relationship on TV and we were saying it’s OK to by gay. We were saying that this was a viable relationship, that these people love each other and it doesn’t matter that they happen to be two women. They get along, they are respectful of each other – heck, they basically raised Buffy’s sister, Dawn, on the show. So I felt like we were sort of breaking through the glass ceiling.

There was a big kerfuffle – they didn’t want us kissing on the show, and Alyson and I were both like, “Hey, this is bulls–t. We should be able to kiss.” And it was only after one of the crew members, who was gay, took us aside and said, “Hey, just the fact that the characters are having this positive relationship and they’re being portrayed as normal human beings – who just happen to be two women in love – that’s what’s important, not the physical stuff.” So, it was really just about saying hey we are two people and we are in this relationship and we are functioning like normal people. Just having a normal relationship, I think, that’s the biggest thing that we did.

But with five gay youth committing suicide in the past three weeks,  the call for LGBT portrayals in the media is stronger than ever. The good news is that eleven years after Willow and Tara made their debut, it looks like we have more gay characters on TV. A report issued last Wednesday by the Gay and Lesbian Alliance Against Defamation (GLAAD) shows that the number of lesbian, gay, bisexual and transgender (LGBT) characters on prime time TV is growing, with a record 58 regular LGBT roles on network and cable TV this season.

My question is, when will there be enough characters to shape public perception and stop the hate?

Read more: Reuters/GLAAD report

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NOW’s Love Your Body Campaign and NOH8 Join Forces to Promote Acceptance For All

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noh8nyourbody

Hollywood NOW President, Chenese Lewis for NOH8 and Love Your Body Day

America’s Next Top Model Whitney Thompson recently created a media buzz posing nude for the Hollywood NOW’s Love Your Body campaign. The Love Your Body Day photo shoot, Thompson joined by the event’s creator, Chenese Lewis. The dynamic duo is back with a new campaign combining Love Your Body and NOH8, protesting California’s Proposition 8.

Los Angeles, CA (PRWEB) September 20, 2010

Following up on the buzz created by posing nude for the Hollywood NOW Love Your Body campaign, America’s Next Top Model, Whitney Thompson and plus-size model and positive body image advocate, Chenese Lewis are back with another controversial photo shoot. This time, the dynamic duo is back protesting California’s Proposition 8 by their participation in the NOH8 photo campaign. The pairs nude photo for Love Your Body day created a stir amongst those finding the images of Thompson and Lewis posing together in provocative poses offensive. The NOH8 campaign photo thus is an appropriate response to those critics.

The two posed with NOH8 logos not only in the traditional spot on their faces, but on their bodies as well, to symbolize protest against the ban against gay marriage and self- hate. Gay marriage equality is one of the key issues for the Hollywood chapter of the National Organization for Women in addition to promoting positive body image in women. Thompson is set to be the celebrity host of the Hollywood NOW’s 5th annual Love Your Body Day on October 23, 2010 at the West Hollywood Park Auditorium.

“I was shocked when I read the blogs and found very derogatory and offensive homophobic comments about our pictures, a few individuals even refused to publish our pictures because in their opinion they looked too “gay”…I had never experienced that type of discrimination before,”

said Chenese Lewis, who is also the president of Hollywood NOW.

“At the end of the day I think everyone should love themselves and love each other.”

To find out more about Whitney Thompson and Love Your Body Day’s weekend of festivities, please visit www.loveyourbodyday.com.

whitneychenesenoh8

America's Next Top Model, Whitney Thompson and Hollywood NOW President Chenese Lewis for NOH8 Campaign.

About Whitney Thompson
Whitney Thompson is the first-ever full figured model to win America’s Next Top Model and a 2010 ambassador for the National Eating Disorder Association. Since winning the reality competition she has landed major campaigns with Forever 21, Saks Fifth Avenue, Torrid, and Converse. She is also an entrepreneur and has launched her own jewelry and candle line called Supermodel. Whitney is currently signed with Wilhelmina Models.

About Chenese Lewis
Chenese Lewis is a positive body image and self esteem advocate who made history by being the first woman crowned Miss Plus America in 2003. She is the current President of the Hollywood Chapter of the National Organization for Women and creator of Hollywood NOW’s “Love Your Body Day, and the Ambassador for the Binge Eating Disorder Association (BEDA). She is also the host of PLUS Model Radio, the #1 podcast for plus size women.

www.loveyourbodyday.com
www.noh8campaign.com
www.shopsupermodel.com
www.cheneselewis.com

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Transgender Beauty in India

indiatranspageant

By Sharon Haywood

For women and men alike, self-image and self-esteem are often intimately linked. For transgender people, positive self-image and high self-esteem can be elusive at best. In India, the combined efforts of activists and businesses attempt to alter this reality via the country’s first-ever transgender beauty pageant. The force behind the search for the Indian Super Queen is Laxmi Narayan Tripathi, a popular transgender activist and the CEO of Twelve Noon Entertainment. She states:

It is not about who is the best and most aesthetically beautiful, it’s about who is willing to proudly display their character, take pride in who they are and to prove that they are just as human as all of us.

Transgender people in India, known as hijras or kinnars, find themselves targets of discrimination, ostracism, and hate crimes. Until recently they have not been afforded basic human rights. It wasn’t until late 2009 that Indian law recognized transgendered people as a third gender. Prior to the legislation, they could not obtain a passport or even vote. The beauty pageant, scheduled for February 21st in Delhi, takes a step closer toward their full inclusion in Indian society. Bollywood actress Celina Jaitley agrees:

It’s time for the much oppressed kinnar community to come up on the stage and show the world that beauty exists in all human beings.

Yes, it most certainly does.

Read more about this story at www.sexgenderbody.com

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