Media Literacy and Body Confidence: Is One Lesson Enough?

From Dove's "Evolution" video

From Dove's "Evolution" video

By Valerie Kusler

This past year, as part of my graduate social work internship I conducted student counseling in a local high school, both one-on-one and in groups. For my final project, I created a presentation on Media Literacy that I gave to 10 classes. It provided an excellent opportunity to see the students’ reactions and opinions about the media’s standards for beauty, race, and gender after they were exposed to information and ideas that many of them had never encountered before.

When I came across an article about a recent study in the Body Image journal, it aligned so well with what I had just discussed with these students that I knew I had to dig into it to learn more. The study, carried out by researchers at Ryerson University in Toronto, aimed to determine whether seeing a commercial illustrating the deceptiveness of “beautiful” images in media could positively impact women’s body satisfaction after watching music videos featuring unrealistically thin and attractive women. In short, the answer was “yes.”

The experiment split participants into three groups: the first group watched music videos and regular TV commercials, the second watched the same music videos and “Evolution”, an ad spot by Dove, and the third group watched a wildlife documentary featuring no people and regular commercials. Afterwards, researchers measured the body dissatisfaction of each participant with a survey.

Dove’s “Evolution”: What and Why

In 2006, Dove’s “Evolution” commercial was released as part of Dove’s Campaign for Real Beauty, which was first introduced by Unilever in 2003 to coincide with the launch of Dove’s extended line of products. The spot was primarily created for online distribution, though it did also air as a TV commercial in the Netherlands, Middle East, and in the U.S. during MTV’s The Hills. The gist of the ad is this: A “normal” looking young woman walks into a studio fresh-faced, gets shellacked and styled with makeup and hair products, and then does a photo shoot. The chosen photo is then heavily edited in a Photoshop-like retouching program, followed by a shot of the retouched photo on a billboard advertising cosmetics. All of this occurs in 75 seconds, thanks to time-lapse videography.

When “Evolution” was first released, it went viral almost immediately and was well received by the advertising industry, winning several awards and generating serious buzz in the mainstream media. In 2007, Unilever estimated that the ad, which cost the company $135,000 to make, generated around $150 million worth of media exposure, and also partially credited the spot for Dove’s double-digit sales growth following its release.[1]

Researchers Stephanie Quigg and Stephen Want chose this spot as the “intervention” method because it “exposes the unrealistic and artificial nature of media portrayals of women and aims to discourage viewers from engaging in social comparison with such idealized portrayals.” Or more simply, if women can see exactly how distorted the beauty standard is that society holds us to, we may be less likely to compare ourselves to it and shun our own faces and/or bodies for not looking “perfect,” if “perfect” isn’t even real.

Why Music Videos?

Although fashion magazines are the most common choice for body dissatisfaction studies, Quigg and Want chose music videos to make it easier to slip in the “Evolution” commercial. They also took into consideration who watches music videos and how these videos portray women:

“Adolescents and young adults are the primary viewers of music videos, watching on average approximately nine hours per week, and … women in music videos are frequently portrayed in sexual roles. For instance, rather than being shown in whole, women’s bodies are frequently shown only as isolated body parts such as bare stomachs, cleavage, and thighs, which contributes to their sexual objectification.”

If you have ever flipped on BET or MTV (when they’re actually showing music videos) in the past few years, you know it would be hard to argue with this claim.

The Danger of Social Comparison

We all know the real dangers of comparing our bodies to the unrealistically thin and attractive Hollywood ideal. Although eating disorders aren’t directly caused by media images, they set a distorted standard of beauty that can affect body image and certainly act as a contributing factor in developing an eating disorder. The media teaches girls that they are expected to be sexy at an increasingly younger age, and before you know it, little girls are buying leg-toning shoes and push-up bikini tops and getting Botox injections. Something is very wrong, and even if the media isn’t completely to blame, they certainly aren’t helping.

The study also discusses how over the past 40 years, models and Hollywood types have continued to shrink, while the average Western woman has gotten heavier – making the gap between the women we see in media and the real women in our lives wider than ever. Is that to say the problem is the obesity epidemic? Sure, it’s a problem, but in this case the main issue is that media promotes the idea that this image is attainable for everyone. It has been estimated, however, that less than five percent of women are able to achieve the body of a fashion model.

Less than five percent! But is the average 10, 20, 30, or 40 year-old female aware of that fact? Or what about the fact that the gorgeous women they see in magazines and movie posters don’t even really look like that?

According to the study results, we could certainly benefit from a reminder. Women in the group who viewed music videos had significantly lower self-reported satisfaction with their appearance compared to those viewing the wildlife TV show. However, watching the Dove commercial counteracted this effect, leading researchers to conclude that, “demonstrating the extent to which media portrayals of women are artificially enhanced can mitigate detrimental effects on women’s appearance satisfaction.”

Beyond the Study

Good news, right? Well, yes, but not so fast. The positive effects of the commercial on body image may be all too fleeting:

“Whether the commercial would have any beneficial effect on viewers in everyday contexts, or over the long term, is still open to debate; one might argue that the commercial is a mere drop in the ocean compared to the volume of idealized media portrayals viewers are exposed to in the real world on a daily basis. In addition, any effects of the commercial may dissipate relatively soon after seeing it. On the other hand, the commercial may provide a salient reminder of exactly why comparisons to media portrayals are unfair or inappropriate that viewers may recall when subsequently viewing idealized media portrayals.”

So, this type of “reminder” could instigate change, but is by no means enough to fix the problem.

Getting Personal

When I first saw the Dove “Evolution” ad online several years ago, I thought it was a great message, but I also thought, “well…duh.” I don’t know how effective this commercial would be for people (especially adults) who are already aware of the falseness of those media images. Then again, I also studied media in college and write for a body image website, so I may not be the average viewer.

I believe that the people who can benefit tremendously from this message of truth are younger girls and adolescents. In the Media Literacy presentations I mentioned earlier, we covered everything from gender and race stereotypes in media (including their beloved Disney) to perception of beauty and the credibility of information in mainstream and online media. In the surveys they filled out about the presentation, the Dove videos and discussion were the part that stood out the most to almost every girl, and even many of the guys. Their shocked expressions and statements (“Are you for real?” “That is so creepy.”) will always stay with me, and I was grateful to Dove for creating something so straightforward and poignant to provide that kind of “aha” moment for so many impressionable teens. Still, I made sure to test them. “At the end of the day, what is Dove’s goal?” They got it right: “To sell their stuff.” And that stuff happens to include wrinkle and cellulite cream. Oh, and let’s not forget about Dove’s sister brand AXE. Just try to find an AXE commercial that doesn’t use female sexuality and objectification to sell its products.

Finally, it’s disappointing that there has not been another instance of a similar message with heavy exposure since “Evolution,” which is soon to be five years old. “Evolution” is still relevant for both research and real life purposes, but it can’t carry the torch alone forever.

What do you think? Can the right message portraying the distorted reality of media images really affect women’s feelings about their own appearance and reverse the negative impact of the Hollywood ideal? Do you think the effect for the teens I taught will be short-term or lasting?

Related Content:

Dove Video Shown to Impact Girls’ Self-Esteem

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Dove Video Shown to Impact Girls’ Self-Esteem

The Dove "Evolution" Video Clip
The Dove "Evolution" Video Clip

Frame from the Dove "Evolution" video.

‘No wonder our perception of beauty is distorted’ – that’s the concluding catchphrase of a one-minute video called ‘evolution’ made by Dove a few years ago to show how cosmetics and computer trickery are used to create the unrealistic portrayals of female models on advertising billboards. Now a team of researchers at the University of the West of England, led by Emma Halliwell, have tested whether viewing this short video can buffer young girls against the negative effects of looking at images of ultra-thin female models. Past research found such a benefit when adult women viewed a similar video but this is the first time the idea has been investigated with young girls.

Read more: British Psychological Society Study

Watch: Dove “Evolution” video

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Media Literacy and Body Confidence: Is One Lesson Enough?

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Dove: Redefining Male Beauty

Dove Men ad

Dove Men ad

By Sharon Haywood

Is male beauty found in ripped abs and bulging biceps? Is a man deemed attractive by the car he drives? Or by how much money he earns? If you look at commercials geared toward men as an indicator, you would have to deduce that square jawlines, snazzy sport cars, and a thick wallet equate with masculine attractiveness. But one commercial that aired for the first time during Super Bowl XLIV presented a refreshing alternative.

Dove’s marketing team, Unilever didn’t use a buff model to promote its new skin care line, Men+Care. Instead, the spot (dubbed The Journey to Comfort), features a man that some male consumers can identify with: A thirty-something family guy who has successfully navigated gender-specific milestones to arrive at ‘being comfortable in his own skin.” According to Marketing Week online, Dove’s Men+Care’s brand manager, Paul Connell states:

Dove is proud of its pioneering approach to women and with this new campaign for Dove Men+Care we now have a fresh approach to men as well. We’re taking a light hearted approach and acknowledging the life events that help men become comfortable with who they are, without a cheesy grooming stereotype in sight.

Dove certainly has much to be proud of. Its Campaign for Real Beauty for women continues to be celebrated for stomping all over stereotypes by using women of various sizes, shapes, ages, and races in its ads. As far as the company’s advertising efforts for the men’s line goes, it’s off to a good start. But it could be better. According to Unilever’s own research, “three quarters of men feel misrepresented by way men are represented in ads.” The research involved over 7,000 men between the ages of 30 and 55 from Brazil, Canada, Germany, Italy, Spain, the United Kingdom, and the United States. One can’t help but question why Dove did not include men of various races and ages in its debut commercial. As well, it’s probably safe to assume that lanky, pudgy, slight, and paunchy men constituted a good number of those polled by Unilever. But the ad didn’t include these types of men either.

Representatives at Dove and Unilever are hoping their current ad campaign will generate conversation about what truly encompasses male beauty. The Journey to Comfort is a solid first step. But initiating an honest and engaging dialogue surrounding the breadth of male beauty requires Dove to take similar sorts of risks it did with the woman’s campaign. Here’s hoping that future commercials for Men+Care take it to the next level and represent all shades and shapes of men. Wrinkles, flab, and baldness included.

Watch the commercial and check more about Men+Care at Dove’s website.

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Media Causing More Men to Pursue “Ideal” Body

Dove and Diversity: Not Just for Women

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Dove and Diversity: Not Just for Women

In 2005, a group of ad executives stripped down to support Dove's Campaign for Real Beauty. The photo does not promote Dove's new men's line. The Toronto Star
DOVE_MEN

In 2005, a group of ad executives stripped down to support Dove's Campaign for Real Beauty. The photo does not promote Dove's new men's line. The Toronto Star

By Sharon Haywood

Ads for cars, beer, and action movies typically dominate the costly airtime during Super Bowl.  But during The Big Game of 2006, it wasn’t another Bud Light commercial that captivated viewers. Instead, the Dove Campaign for Real Beauty reached an estimated 90.7 million football fans via a 45-second spot that promoted Dove’s Self-Esteem Fund. Dove’s manufacturer, Unilever, created the hard-hitting video, True Colors, enlightening the audience – many of them parents – to the importance of fostering a positive body image in girls. And this year, they will do it again.

On Sunday, February 7th Super Bowl XLIV airs another spot that celebrates body diversity. This time, men are the focus:

According to Unilever research, 80 per cent of men in Canada believe they are falsely portrayed in the media – that the washboard abs, bulging pecs and ripped biceps so often featured in television and print ads do not reflect their pale, doughy reality. This imagery makes men feel stereotyped … Unilever has even solicited the support of Canadian gender expert Michael Kaufman, who is sensitive to the plight of men who find it difficult to live up to hyper masculine expectations.

Unilever representatives are tight-lipped regarding the upcoming ad campaign, which will promote the company’s new skin product line, Dove Men+Care. For the moment, all they’re saying is that they hope “the new product line will spark the same conversation about men and body image that the original women’s campaign ignited.”

Football fan or not, Dove has given us more than enough reason to tune in this Sunday.

Read the full story at The Toronto Star

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German Magazine Swaps Thin Models for Real Women

Brigitte
By Melissa Eddy (Associated Press)

BERLIN – Germany’s most popular women’s magazine announced Monday that it is banning professional models from its pages in favor of “real women” in an attempt to combat an unhealthy standard of rail-thin beauty that it says has isolated its readers.

The editor-in-chief of Germany’s bimonthly Brigitte told reporters that, starting next year, the magazine will feature a mix of prominent women and regular readers in photo spreads for everything from beauty to fashion to fitness.

Andreas Lebert said the move is a response to readers increasingly saying that they are tired of seeing “protruding bones” from models who weigh far less than the average woman.

“We will show women who have an identity ? the 18-year-old student, the head of the board, the musician, the football player,” Andreas Leberts said in Hamburg, where the magazine, published by Gruner+Jahr, is based.

Fashion centers around the world have begun trying in recent years to combat the size 0 look that has come to dominate the fashion industry, contributing, some experts say, to eating disorders and poor body image.

In 2004, the Dove beauty products company launched its own “Campaign for Real Beauty” that included print and billboard ads showing “real women,” of all shapes and sizes, posing in their underwear.

In 2007, the U.S. Council of Fashion of Designers of America issued voluntary guidelines to curb the use of overly thin models.

Fashion officials in Madrid set a minimum body-mass index, and those in Milan tightened restrictions. Efforts gained urgency after 21-year-old Brazilian model Ana Carolina Reston died of anorexia in November 2006, weighing 88 pounds (40 kilos).

On its Web site, Brigitte announced to readers that “A New Epoch has Begun” and women to submit a portrait and full-body photos of themselves to considered for a photo shoot.

“We will pay the same fee as we would for professional models,” Lebert said, adding that the magazine views the move as an investment.

Lebert said his magazine’s move “should not be understood as a declaration of war on the modeling profession.”

“We are not going to become a magazine for plus-sizes,” he said.

Brigitte has suffered a steady drop in readers over the past 20 years but, with more than 719,000 copies sold per issue, it remains Germany’s most-read women’s magazine.

Louisa von Minckwitz, who owns the German-based Louisa Models agency, told The Associated Press she believed the ban on models was a marketing gag that would not last for long.

“Women want to see clothes on a beautiful, aesthetically pleasing person,” von Minckwitz said.

Associated Press Writer Zacharias Zacharakis contributed from Hamburg.

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